Limitless Cinema in Broken English

September 30, 2010


Filed under: Uncategorized — celinejulie @ 12:32 am

The Rules: Don’t take too long to think about it. Fifteen Directors who’ve influenced you and that will ALWAYS STICK WITH YOU. List the first fifteen you can recall in no more than fifteen minutes. Tag fifteen friends, including me, because I’m interested in seeing what artists my friends choose. (To do this, go to your Notes tab on your profile page, paste rules in a new note, cast your fifteen picks, and tag people in the note.)

(I was tagged by Peter Nellhaus for this.)

My own rules:

I don’t want to repeat the names of the directors already mentioned in the two links below, so I ended up making a list of interesting directors I just knew recently:

1.Anna Hoffmann (THE HOUSEMAID)

2.Ahmed Bouchaala + Zakia Tahiri (POUR L’AMOUR DE DIEU)


4.Bill Mousoulis (A NOCTURNE)



7.Helge Leiberg (ACTION SITUATION)

8.Jacques Santamaria (THREE MURMURED MASSES)

9.Kriangkrai Watananiyom (ZERO)

10.Olivier Schatzky (CLAUDE GUEUX)

11.Pat Boonnitipat (NATTO)

12.Prakash Jha (RAAJNEETI)

13.Tanakit Kitsanayunyong (QUOTATION MARK)

14.Thitikan Kanchanapakdee (SURREPTITIOUS)

15.The Underground Office (Teerani Siangsanoh + Wachara Kanha + Tani Thitiprawat) (FUENG)

September 28, 2010


Filed under: Uncategorized — celinejulie @ 10:05 pm

Images Festival in Toronto seems like a dream festival for me, judging from the films they showed in the past:

1.THE SOURCE IS THIRSTY TO TASTE ITSELF (2008, Elaine Despins, Canada, 4 min)

2.ALL THINGS WERE NOW OVERTAKEN BY SILENCE (2010, Nicolás Pereda, Mexico, 61 min)

3.PORT OF MEMORY (2009, Kamal Aljafari, Palestine, 63 min)

4.I WENT TO THE ZOO THE OTHER DAY (2009, Luo Li, Canada, 69 min)

5.MELANCHOLIA (2008, Lav Diaz, Philippines, 480 min)

6.ELECTRONIC SUNSET # 25 (1975, Jane Wright)

7.THROUGH THE HOLES (1982, Elizabeth Vander Zaag)


Filed under: Uncategorized — celinejulie @ 9:50 pm

Dilma Rousseff may be the next president of Brazil. I like her biography very much:

“Dilma participated actively on any of the armed efforts of Colina, but she was known too for her public activities as a Marxism teacher to labour union members and editor of the newspaper The Piquet. She knew how to handle weapons, confront the police and also guerrilla tactics

The attorney which prosecuted the organization called her “Joan of Arc of subversion”,

Dilma was taken to the OBAN headquarters, the same place were Vladimir Herzog would be tortured to death five years later. She was allegedly tortured for 22 days by punching, ferule, and electric shock devices. As Maria Luisa Belloque, a cellmate, said “Dilma was shock even with car wiring.””

MYSELF (2007, Arpapun Plungsirisoontorn, A+++++)

Filed under: Uncategorized — celinejulie @ 9:26 pm

You can watch this film here:

I want to screen this film together with FRAGRANCE OF THE WIND (2007, Chaiwat Wiansantia) and THE SOUND OF SILENCE (2010, Palakorn Jiamtiranat), which also deal with the unbearable life in Bangkok.

September 27, 2010


Filed under: Uncategorized — celinejulie @ 2:19 pm


Chaloemkiat Saeyong, Wachara Kanha, and Ratchapoom Boonbunchachoke are three of my most favorite directors. To have a dinner with them is one of the best moments in my life.

September 25, 2010

SENZA SANGUE (2010, Saifah Tanthana, A+)

Filed under: Uncategorized — celinejulie @ 12:15 am

As for me, there are many things I like in this SENZA SANGUE, but there’s one thing about it which may not correspond to my tastes—the heroine of this story seems to control her anger too well or can reconcile with the past too well for me to be able to identify myself with. Admittedly, I prefer films/stage plays about a heroine who is burning with the desire to kill or revenge, such as BREMEN FREEDOM (1972, Rainer Werner Fassbinder), THE BRIDE WORE BLACK (1968, François Truffaut), or BLACKBIRD (2007, Sasithorn Panichnok). SENZA SANGUE is a very good play, but it just does not satisfy the “fire” inside me.

Anyway, SENZA SANGUE is very thought-provoking, and there must be many things in this play which I have overlooked. I’m sure I will like it more when I read some reviews on it. 🙂

September 23, 2010


Filed under: Uncategorized — celinejulie @ 10:45 pm

Favorite female performances seen lately:

1.Dolruedee Jamraschai—SENZA SANGUE (2010, Saifah Tanthana, play)

2.Nualpanod Kianpakdee—PORNOGRAM (2010, Ninart Boonpothong, play)

3.Jiang Zhi—0.7% SALT (Jiang Zhi)

4.Pavinee Samakkabutr—OLD TIMES (2010, Atree Wanichtrakool, play)

5.Nathalie Richard—THREE WOMEN…ONE SUMMER NIGHT (2005, Sébastien Grall)

6.The leading actress of ON THE DAY THAT RAINCLOUDS STILL FLOAT BY (Pongpun Yunchevit)

7.The leading actress of PICNIC ON THE BATTLEFIELD (2010, Tianchai Isaradech, play)

8.Lakkana Wattanawongsiri—BROWN SUGAR: DESIRE (2010, Kittiyaporn Klangsurin)

9.Muriel Robin—MOURIR D’AIMER (2009, Josée Dayan)

10.Kristen Schaal—GOING THE DISTANCE (2010, Nanette Burstein)

11.Anne Coesens—REPORTERS: SEASON 1&2 (2007-2009)

12.Noomi Rapace—THE GIRL WITH THE DRAGON TATTOO (2009, Neils Arden Oplev)

13.The leading actress of KONTHAN (2010, Witchupong Sukhavichai, 20 min)

14.Stephane Audran—THREE WOMEN…ONE SUMMER NIGHT (2005, Sébastien Grall)

15.Marianne Denicourt—REPORTERS: SEASON 2

16.The leading actress of ON THE ROAD (2010, Thepmanee Kittitawornkul, 22 min)

17.Elizabeth Shue—PIRANHA 3D (2010, Alexandre Aja)

18.Thekla Reuten—THE AMERICAN (2010, Anton Corbijn)

19.Linda Katunjaroen—RIVER OF NO RETURN (1987, Banjong Kosalwat)

20.Jeanne Balibar—MOURIR D’AIMER (2009, Josée Dayan)

21.Hélène Vincent—MOURIR D’AIMER (2009, Josée Dayan)

September 22, 2010

CELINE AND JULIE GO DANCING 34 — HEARTBREAK (MAKE ME A DANCER) — Freemasons featuring Sophie Ellis-Bexter

Filed under: Uncategorized — celinejulie @ 11:52 pm

Thanks to Graiwoot for telling me about it.

September 19, 2010

BOUQUET FOR BASHO (2010, Kunal Mehra, A+++++)

Filed under: Uncategorized — celinejulie @ 11:12 am

BOUQUET FOR BASHO (2010, Kunal Mehra, A+++++)

I would like to screen this film together with THE HIGH KUKUS (1973, James Broughton), BIRTH OF THE SEANEMA (2004, Sasithorn Ariyavicha), NO ONE AT THE SEA (Tossapol Boonsinsukh), PERU TIME (Chaloemkiat Saeyong), DREAM OF THE DEATH (Wiwat Lertwiwatwongsa)

I got to know BOUQUET FOR BASHO from


Filed under: Uncategorized — celinejulie @ 1:35 am

Fred Kelemen gave a Q&A session in Bangkok, Thailand, on November 8, 2007, after the audience had watched the recording of his stage play DESIRE (2001), which is adapted from DESIRE UNDER THE ELMS (แรงโลกีย์) (1924, Eugene O’Neill). The audience included Sonthaya Subyen, Morimart Radenahmad, Pathompong Manakitsomboon, Sumontha Suanpolrat (the stage actress in the Thai version of THE BITTER TEARS OF PETRA VON KANT), Thanes Noonmun (the co-author of 151 CINEMA), Wilaiwan Praejaroen (the director of THE ARTIST’S FATE), and Roger Tonge (the director of the BBC gay film TWO OF US (1988)). I’m not sure who recorded this clip, but I guess it’s Phaisit Phanphruksachat.

Sonthaya gave me a one-hour clip of this Q&A session, but I don’t know how to split this video files. So I can upload only the first fifteen minutes of this clip.

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